Pathos

by motherblue212

Wired Intersection (cell phone pic)

Wired Intersection (cell phone pic)

My inner monologue was spastically riffing…

They shut off my water this morning. My hands feel so incredibly dirty. Germal colonies are setting up camp on my palms. I have spent the day Lysol-ing all the present and future surfaces I have or may touch. I need disposable gloves and a nap.

I can’t concentrate without water. I can’t help but obsess over the notion of anything being removed from my life or my general convenience. This whole thing began with a gas leak in February. Three months later my street still lacks infrastructure and functioning sidewalks. Each local gas company has to repair their own lines, every water company has to follow suit. New construction type vehicles arrive biweekly. What started out as a patch job has now become days filled with gas fume hallucinations, vibrating furniture from the constant jackhammering, and gravelled sidewalks by the same result.

My inner voice is that of a middle-aged man. I am not really sure why.

Water Rations. (cell phone pics)

Water Rations. (cell phone pics)

• • •

Pathos: Pathetic lump of emotions

The stockpile of words I use in my everyday life is staggeringly limited. PATHOS is one of those words I once learned a very long time ago, probably for some English lit exam, but then I carelessly shoved it into the recesses of my brain once it outlived my 16-year-old self’s usefulness. I have been obsessing over this word as of late, much like I am obsessing over my disgusting hands. I am typing this entry with the tip of my fingernail, just to keep the molecules of degenerate filth at bay.

I came across this gorgeous sentence: “oddball art-house flights of fancy, verite sex scenes and lump-in-throat moments of pathos. It’s funny almost as an after-thought.

My newfound obsession with pathos came after watching this.

It made me stop. Simple words of unrequited love delivered by an everyman. This show wasn’t what I expected at all: If you haven’t seen this show and you love cinema and great storytelling and humanity, I urge you to watch “Louie”. Check out this scene as well.

But there it was. Pathos. The revelation of that word was like lightning rod of everything for me. The road that I have been traveling for so long, my weirdness, my quirkiness, my obsessions, my neurosis all of a sudden made sense. I have been journeying so long and so far trying to figure out just who the heck I am in waves of enlightenment, comparisons to other individuals, and epic inner narratives. If I could be something intangible I would probably be pathos. I long for pathos. I lust for pathos. Pathos is my life projection through color televisions with emotive filters. At its very best, it appeals to a selected audience’s emotions; at its very worst, it can meander in rhetoric and pathetic inclinations. For me, it simply means the raw, unmuddied yet abridged version of the emotion in a moment. It’s like a capturing a photograph.

• • •

Bird on a Wire (cell phone pic)

Bird on a Wire (cell phone pic)

I love documentaries. My digital movie queue is filled with at least 50 of them, just waiting to be watched. Just Like Being There was at the top of the list. Focused on the artists behind the “gig poster scene,” this doc was a feast of illustrative screen printed gorgeousness set to an indie music soundtrack. Very inspiring watch, but I found myself wondering in my head and then later aloud, “does the type of music we listen to determine or predict our intellect or intellectual capacity?” The artists represented in the doc were not just emotive beings, they were what I would call skilled technicians whose thinking lies on a different intellectual plane. I love music, but my musical tastes merely skim the surfaces of most genres. I listen intently to what is laid out before me, but I always find that when left to my own devices my choices are uncomplicated. I want an emotional journey filled with crescendos. I found myself wondering if the way I think is too simple, too mainstream, too surface, too rooted in emotion, or in the consumptive nature of the masses.

Maybe I am mostly comprised of emotion. My mother was a die hard “someday my prince will come” romantic  realist. She was wrapped up in the cinematic notion of life and love; the polar opposite of her actual, real world existence. As much I pride myself in my realism, I probably am a pretty similar person. I see everyday people like actors on a screen. I imagine everyday conversations like poetry, even if they are just talking about Cheetos. I imagine the back stories of the people in the supermarket check out lines. I go on my walks and I am suddenly transported to a scene in a film. I imagine the camera angles. I photograph the everyday because the position of everything literally whispers some sort of story to me. It fills me with emotions. It’s the only way I can relate to the world. Sometimes Motown sings in the background, punctuating the mood of the moment in just the right way…

• • •

A musician once transposed the noted positions of birds on telephone wires. I think of that story often when I go on my walks. My hidden monologues, back stories of strangers, and overheard conversations make me think of how so many of us are like those birds. Unassuming notes on a make shift bar staff. Part of a larger hidden song.

Morning walk (cell phone pic)

Morning walk (cell phone pic)

Maybe I am just screenplaying everything so I have some sense of control. Sometimes I write things down. Other times I repeat moments in my brain over and over again in order to commit them to memory. Sometimes the words and moments float away like ether. In most circumstances, I can’t tell if I am writing myself as a hero or anti-hero. In first or third person. Victim or survivor.

I sat on my porch last night and attempted to read. I was mulling over a lot and feeling particularly melancholy about things I felt had no simple resolution. I whispered the word “mommy” to myself. I don’t know why. My pathetic cry for help. My 39-year-old self knows it won’t make a difference. It was one of those “you can either crumble or pull yourself up by your bootstraps” moments, but I needed vulnerable for a second. And in those vulnerable moments sometimes it only feels right to be just as vulnerable as the moment dictates. Either way, it was my own version of Mayday and my own way to reboot. A large black butterfly with blue spots landed next to me, flying wildly in my face, harassing me. It would fly very close to my shoulder and then sputter away into the trees. Seconds later, it would come back. Three times it did this, then it flew away for good. I sat in quiet for the first time in a long time. It had been a long time  since I had seen a butterfly. A long time since one tried to get my attention. One appeared to me on the subway shortly after my mother had died. One landed on my windshield when I was particularly broke and lost. Maybe this one was there because I just needed to feel less alone.

End scene.

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Telephone Wires (cellphone pic)

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